Pap Henry is at it again – he gets some great stuff. Look closely to see Melissa Rycroft with Tony at the beginning. Tom Bergeron is *hilarious*. Corky Ballas needs a sedative as does Louis’ friend.
Say what you want about LaToya, but she’s actually doing a reasonably good job with these interviews – Access Hollywood
Oh, this is too bad – from People.com:
Julianne Hough and Chuck Wicks have decided to call it quits, a source tells PEOPLE. “This was mutual. They needed some time apart,” says the source.
Hough, 21, and Wicks, 30, both are still expected to attend the Country Music Association Awards on Wednesday – Wicks is covering the red carpet for Entertainment Tonight and Hough is a presenter.
Wow. I can’t believe we’re down to the final five. That’s amazing. Good luck to everyone – at this point it’s anyone’s game and anyone could go home. Frankly, at this point, if you go home you can go with your head held high. Fifth place out of 16 is nothing to sneeze at, fer sure. Anyway, getting on with it…remember if you’re a Derek/Joanna fan, I post their media at PureDerekHough.
People OnLine – Monday’s Dancing: What You Didn’t See Excerpts:
Dream Come True: As Britain’s Got Talent sensation Susan Boyle, whose first CD will be released Nov. 23, slowly made her entrance onto the Dancing with the Stars stage late Monday afternoon to pre-tape a performance, which will air on Tuesday’s results show, the crowd burst into applause. Boyle looked elegant in a black sequined gown, her hair coiffed to perfection. Despite battling a case of pre-show nerves, Boyle was completely in her element once the orchestra began playing the opening notes of her signature song, “I Dreamed a Dream” from the musical Les Miserables. Dancers Tony Dovolani and Chelsie Hightower performed an elegant routine to Boyle’s spot-on vocals. But because of a wardrobe malfunction — Dovolani’s bowtie came unfastened from his tuxedo shirt — they had to do a second take. Unbelievably, it was even better than the first.
Derek Hough and Joanna Krupa had by far the most inventive costumes, with battery-fueled LED lights accenting their silver futuristic attire. “When we heard future I was like, ‘LED lights in the costume. I don’t care how you guys do it and how you guys have to make it happen. It has to be good,’ and they did it,” he explained. After the show, Hough played with the switch on his jacket and joked, “You turn me on.” A new pickup line? “I don’t think so,” Krupa said with laugh.
George’s full segment on KABC in LA
You can find George’s exclusive interviews at KABC – I’ve posted Mya’s below.
Radar Online – of course they don’t allow and embed so click this link —-> Radar Online
A different one from Radar Online —-> Radar Online – Peeves
ET Online – with the ever annoying Osmond, Marie. Gee, whenever random celebs show up in the audience of DWTS – especially those who could use some PR – I always take bets on if they will be appearing on the show. Tonights random celeb appearances include Taylor Dayne and Jodie Whatley.
A TV Guide Recap article about last night – an excerpt (It’s not just us, Courtney):
Two dances, people, two! And since this is the season of change, the Latin round dances will all be based on a decade: the ’60s, ’70s, ’80s, ’90s and the, uh, future. Thanks, guys. Before we get down to business in the ballroom round, we are treated to a package from the judges to kill time. Oh, and so they can objectively tell us what they’re looking for from each star. Did they read Maks’ complaints? Hmm. So what say them? Donny has too many sweeping movents, Joanna needs to find balance, Kelly needs to improve in ballroom, Mya does too many showy moves and Aaron can’t be overly exuberant in the foxtrot.
Mya and Dmitry Chaplin: Quickstep
Mya wants to prove herself, but she and Dmitry agree they shouldn’t change their strategy to please the judges. Uh, maybe you should so you don’t get another 5. So instead of strategizing, they go horseback-riding. As always, Mya’s steps are on point. She’s not very crisp, but the fast pace isn’t tripping her up at all. The routine is also infused with a lot more intricate choreography and there’s a nice easy flow to it. But yet there’s still no charisma or personality exuding from her. Len says he can’t find anything to criticize. Bruno calls it quality and vintage champagne — “After you taste it, nothing else will do.” No, thanks. Carrie Ann loves the gracefulness, but doesn’t feel like Mya is in it to win it.