This post is part 2 of a new series where I basically tell the producers of DWTS how they should change the show. Cuz I’m bossy like that. 🙂 If you want to read part 1, you can find it here —> How to Fix DWTS Part 1 A reminder for those easily induced into righteous indignation – this is NOT about the various couples but about the JUDGES and the Producers – I’ve provided examples of problems that I remember from season to season. If you get your knickers in a twist about Melissa or Shawn or Mya or Nicole or Maria, I’m not going to waste time arguing with you, I’m going to call you names (maybe to myself, maybe publicly – we’ll see) and then ignore you. Keep it on topic.
Dear DWTS Producers (cont.)
Scoring – to keep the “better” dancers over the “not so much” dancers. “Better” being highly subjective. This is another common problem that many of us have seen on the show in the mid weeks of a season. Say you have a dancer named Hope. She’s not a great dancer, but she’s explosive when paired with the bad boy of the ballroom – good for controversy and smack talk if not much else. Well, you want your show to be talked about and there are much more “disposable” celebrities on at the same time, so what do you do?? Well, of course, you pad Hope’s scores to give her just enough of a boost that she sticks around for a couple weeks, even if there are better dancers (such as Kristin, Chynna and even David – well, maybe not “better” in David’s case, but certainly more charming) that are at risk of leaving. Ya gotta have your ratings, right? Now, when all the disposable celebs are gone and you start scoring Hope for real, what happens?? Well, both Hope AND her fans and the rest of the audience are saying, “Wait a second. Last week I got a much better score for a dance that wasn’t as good as this one.” And the conspiracy theories abound. And with good reason, right? Hope’s not even the best example of this – I’m sure my readers can come up with good-ish dancers who were intentionally over scored just so they would stay longer than the really crappy dancers, only to start getting lower scores in the later weeks – so that the *great* dancers would survive. It’s a vicious cycle. Of course, they don’t always get worse scores in later weeks. I have to wonder just how much protecting of Melissa was done early on for dancing that wasn’t that great. She got a 37 (out of 40) on a Jitterbug in week 4 that had seriously messy lifts (the in and outs mainly) – one of which was almost a fall. It kinda makes me laugh cuz Shawn was picked on for “tricks” yet this dance was ALL tricks and any dancing there was was simplistic. CAI, Len and Paula even called them on it and they still got a 37. She got a 27 the week before on a samba that was just too precious – and a 30 when they re-danced it and she did no better on it. Me thinks they were terribly afraid of Kirstie and Emmitt, early on, when it came to Melissa, and they were pulling a Maria late in the season (see below). Except for the very last one (maybe) her tangos and pasos were routinely over scored – so soft. :::shrug::: Hope and Melissa are far from the only examples. Maria was overscored on her Jive (if Shawn had danced that dance, Len would have decimated her), either to let her be eliminated with a high score (dangerous) or because they were hoping (strangely) that she could get past Donald, who they clearly didn’t care for much. I always thought her salsa was overscored as well. She was definitely a better dancer than many of the others in week three, when the salsa happened, but I imagine there was some doubt as to the strength of her fanbase. The judges/producers seem to have so many goals, it’s hard to keep track of. One of them has to be making sure the better dancers with questionable fanbases make it to the end over the crap dancers who are popular. Read more..