Below is Tom Bergeron talking with Fox 11 (thanks to Elmari for this gem) and Access Hollywood about Dancing With The Stars, the 300th episode, the Finals and why they decided to go with 4 couples, America’s Funniest Videos, and more. I always love interviews with Tom…
OK Magazine also has an article up with Tom and Bruno talking about the 300th episode and the new format next season…
“I’m a glass half full kind of guy,” says Tom. “I get the rationale behind it. There’s no denying the numbers have been slipping. On the plus side we still beat The Voice last night by two million viewers, but they are beating us in the demo and that’s what the advertisers look to and that’s the strategy behind, I think, pushing the Tuesday viewers into a Monday show.”
While the logistics of the new format have yet to be worked out, Tom thinks eliminating an hour from the series each week will help the show feel more robust in its content.
“There have been times in the past, and this will not come as a news flash to you, late in the season we’re stretching to fill two hours,” he admits. “It’s sort of like, how much water can you put in the soup? This will afford us the luxury of not having to worry about that. We’ve gone from sometimes stretching to fill the three hours to now saying, okay, we’ve got an embarrassment of riches here with what we can do in two. Interestingly the research we’ve had over the past few years shows that only about 40 percent of our Tuesday viewers have watched the Monday show. I would’ve thought there’d be much more crossover.”
Judge Bruno Tonioli supports the changes as well and is excited to see what the production team will do to rework the series. Of course, cutting back on the number of hours DWTS is allotted each week probably means we won’t have the opportunity to see Bruno strut his stuff on the dancefloor again, like he was coerced into doing with Peta Murgatroyd and Sean Lowe during their encore “YMCA” performance this season.
“When they made me do the ‘YMCA’—that wasn’t expected,” says Bruno. “That was a surprise because I thought I only had to kind of mess around and then I had to turn up and learn the whole routine with 25 year old dancers. You should have hear my language—it was not for printing. But then after that I really enjoyed it so it was going back after 30 years of dancing sharing the stage with the kids, which I really enjoyed. In retrospect it was good. If I had known I would have said no.”
More at OK Magazine.