They got one season to show us their stuff as a pro – and then we never saw them (as a pro) again. They’re the pros whose tenure on DWTS was woefully short, and for some of them, we wonder if things had been different if they had gotten a different partner, or had a bit more experience, etc. etc. etc. But I keep seeing a few names in particular that seem to pop up in the comments section, and it got me thinking: is it time for TPTB to revisit some of these names as pros again? Let’s hear what you think – which one of these one-and-done pros was your favorite? And which one would you like to see as a pro again?
For me, it was a no-brainer: Sasha. I think the dude’s only shortcoming (no pun intended) is that he’s simply too small in stature to be a suitable partner for the bulk of the female celebs that get cast. After seeing how great of a substitute partner he was to Nastia last season, and how he does whatever is asked of him without complaint – I’m convinced that we could see AMAZING things out of Sasha as a pro, if they would only give him another shot. I hear the Olsen twins are short…and not really up to much these days 😉
Oddly enough, the other pro I found myself curious about was Anna Demidova – I remember that she actually was quite good with Michael Irvin, and seemed to be a teacher that was very good at communicating with and motivating her partner. Found myself thinking of Gleb, too – he may not have really shined terribly brightly with Lisa, but once he moved over to DWTS Russia I think he really hit a nice stride. Would he be able to hang with our pros, though? Who knows…
Here we are again!! It’s about that time of year, folks.
And, as usual, the pros that I don’t want to be in, are already in. Or in Derek’s case….mostly in. He’s been telling fans in Meet and Greets that he’s likely going to be on but doesn’t want to confirm in case something happens to change that. DWTSGossip says that he did indeed say yes to this season – but as she correctly pointed out, he’s said no before and it turned into a yes. But, this is Derek’s life right now (many, MANY irons in the fire) – he’s not doing it for PR, he just doesn’t know what’s going to happen. Drives me crazy. I’ll be writing a blog soon on PureDerekHough.com about my Meet and Greet and how he answered a particular question I asked him that bodes very well for his future.
Val has also said he’ll be back and, as reigning champ, that’s no surprise. He also doesn’t seem to have the options that Derek does. I also will be curious to see how much they pimp and manipulate for him and his partner, now that he actually has a MBT. This could be one of the more interesting things about this season – if their behavior toward him changes, now that it’s mission accomplished. Someone please explain to me why Sharna or Emma don’t get the pimpage treatment?? Their social media accounts can’t touch the men’s, but still.
What about Mark? I expect him back as it helps his music career, and now his studio, for him to be on the show. I think it’s about time for him to have another shot at the MBT again – it’s not like he’s been handed ringers the past couple seasons (unlike some), he’s just been surprised and fortunate, like Derek has in the past. But I haven’t seen any talk from him on the matter. Read more..
Because it’s summer and there’s not much else DWTS-related to talk about – why not get a blast from the past and take a look at what some of our pros and judges do when they’re not performing on the show? And in this case, the activity in question is appearing in music videos – with varying results. Some of them are pretty cool, others are blink-and-you-miss-it cameos, and some…should probably stay buried forever Let’s check it out… Read more..
I saw this the other day and kind of ignored it. Mainly because I don’t really consider it a “controversy” OR new information. But I’m bored – the dog days of summer and waiting for DWTS Fall Season news to break is getting old. Plus Vogue is on vaycay and me and Court have to try to fill the void.
We’ve known that outside choreographers help for YEARS. Derek just mentioned it in a meet and greet the other day when asked about choreography. I don’t recall the context, but he said that he only used an outside choreographer for his and Shawn’s bhangra, but he knows that others do it more frequently….and he can always tell when outside help was used. He’s very observant, so that’s no surprise, plus he knows all of them very well. He apparently didn’t think it was a huge deal – and neither does Spencer Liff. Spencer makes some interesting points and seems to defend Witney (if she needs defending) pretty clearly. He says that outside “help” doesn’t have a right to the statue. What are you going to do? Count the steps that you contributed? What he seems to be saying – at the risk of putting words in his mouth – is that the contracted individual is responsible, is in charge and deserves the credit for that. What do you think?
Also, what I found interesting was that Spencer said he has “ghosted” on DWTS “many times” – this is intriguing, just cuz I’m nosey. But the money comes out of the DWTS pros pocket when they get help, and it’s done away from the regular rehearsal spaces – and he says take your paycheck and keep your mouth shut. Very interesting conversation in the first five minutes of the video I’ve posted, below.
At the end of the day, Witney tried and gave full credit to her assistant and DWTS apparently tried as well. But the Academy has rules. Someone else mentioned in the video that the producers are limited to THREE nominees also, even if more producers were involved. Too bad. Those of you “helping” either need to stop helping without being contracted to the show, or suck it up and take the pay the DWTS pros give you.
Courtney: First off, a tip of the hat to Spencer – I’ve always found him to be one of the less “diva-ish” choreographers on SYTYCD, and while I may not have always been wowed by his choreography, I think he’s always done a good job of giving routines that are appropriate to the style he’s been assigned (unlike others, who seem to take “jazz” as an opportunity to do a contemporary routine). I think he also did great job of explaining what’s what as it pertains to the nominations – it was very “Look here, guys – as someone who’s been nominated before, let me tell you that if you are ghosting on a routine, you are just that – a ghost. Do not expect credit unless it was truly a collaborative effort – you don’t get to say ‘But I choreographed 20% of that!’ after the fact. Your money is your compensation – take it and shut up.” Anyone else get the feeling he was a tad irked that some people were even trying to pull that stuff? 😉 Now, with that being said – I feel like him comparing his “assistants” on SYTYCD is maybe not a perfect analogy to what we think the situation has been at DWTS. I’ve always gotten the impression that those “assisting” on SYTYCD were just helping the choreographer to show the routine to the couple they’re choreographing – they don’t actually contribute much, creativity-wise. They’re just a body. The impression I get from DWTS is that it’s one pro actively contributing to another pro’s work – giving advice on choreography. But, I do agree with Spencer – it gets to be really tricky determining how much credit you give for a partial contribution by another pro. I look at a true collaboration as something akin to Derek & Chelsie’s acoustic paso back in season 10 – they agreed to work together and both were involved every step of the way, therefore a co-nomination was appropriate; but I get the feeling that the dances in question (presumably Witney’s, though I see the female pros are still dancing around naming names) were more like Witney getting somewhat into choreographing something and saying “Crap, I’ve hit a wall with this part. Hey Sharna (or whoever), can you help me work through this part right here?” And then Sharna (or whoever) contributing something to a portion of the dance, and then walking away. It wasn’t as if Pro A and Pro B started off choreographing from the beginning together; the concept of the dance was probably Witney’s idea, and the bulk of the spacing/set design/costume design/choreography was also hers. But anywho – the degree of entitlement being what it is amongst the pros at DWTS these days (as well as the degree of butthurt-ness), can’t say I’m surprised that some of the pros are basically scoffing at what has been standard operating procedure at the Academy for many years and feeling as though they are due some sort of credit. Cause everybody is a winner and a special little snowflake that deserves an MBT, and Emmy nomination, and whatever his/her little heart desires – because FAIRNESS, guys. But yes, please do continue to throw shade at other pros for something that was likely out of their control, anyway – and then get indignant when fans try to guess just who you’re passive-aggressively tweeting about. Such a good look Funny how people think WE start “fan wars”…the pros are doing a fine job of it themselves… Read more..
Mary Murphy’s not on So You Think You Can Dance anymore – she says there will be very little ballroom, which is a damn shame – but she’s talking America’s Ballroom Challenge. Honestly, one couple on SYTYCD attempted a Cha Cha the other night and butchered it badly – worse than some on DWTS – so maybe the change isn’t so bad. From Yahoo TV (thanks to Motisima):
“On So You Think You Can Dance, most of the time you’re seeing two people who have never ballroom danced, and it’s kind of all smoke and mirrors,” Murphy tells Yahoo TV. “Honestly, they can edit everything to get the best vantage of every step. And Dancing With the Stars is the same thing, too — you’re dancing with a celebrity, sometimes they have danced, sometimes no dance. For these people [on America’s Ballroom Challenge], dance is their life. They are professionals at the highest level. You will see the best of the best.”
RIDER: Derek Hough
“Julianne and Derek are about as good as you’re going to get,” Murphy said. “Derek, especially, I’ve been watching that kid since he was 7 years old. For me, the pinnacle was that Argentine Tango the other night [on Dancing With the Stars]. I just was so impressed with him. There was just such maturity about him. I feel like I’m seeing him as a young man now, as opposed to looking at him always as a kid.”
There are only five nominees this year which echos Courtney’s thought that SYTYCD didn’t have a particularly strong year. I still maintain that Travis will win, and I did pretty well predicting what he would be nominated for.
Outstanding Host – Tom Bergeron
No shock to see Tom up there!
Outstanding Hairstyling – Dancing With The Stars • Episode 1907
Outstanding Lighting Design/Lighting Direction For A Variety Series – Dancing With The Stars • Episode 1911A
Outstanding Lighting Design/Lighting Direction For A Variety Special – Dancing With The Stars: 10th Anniversary Special
Outstanding Makeup For A Multi-Camera Series Or Special (Non-Prosthetic) – Dancing With The Stars • Episode 1907
Or any other statue for that matter? (NOTE: Nominations are announced July 16th at 11:30 eastern) We tend to focus on the choreo nominations – mainly because it’s the one we care most about and it’s also the most difficult. So, do you think any of the DWTS pros will be nominated for an Emmy this year? Don’t forget those like Travis Wall who came on and choreographed dances. If so, which dances will get a nomination? What dances do you WANT to see get a nomination? I think it will be a tough year to get a nomination, but if anyone from DWTS does it will likely be Derek or Mark or Sharna…or Travis. I have to review some videos to figure out my guesses. I’m not sure that anyone else had anything Emmy worthy. Here are the rules you need to know:
The eligibility period is June 1, 2014 through May 31, 2015. HOWEVER, because of submission requirements, it’s very possible that the last few weeks of Season 20 may not be eligible. It’s hard to say. All entries must be submitted by May 4th, but you can modify your entry until May 31st. Meaning that if a choreographer has a better dance after May 4th, they can switch out one of the ones submitted on May 4th. There is also normally a DVD submission deadline that falls after May 4th and they probably have to make that. Usually, I believe the last two to three weeks of the spring season don’t get submitted because of the DVD deadline. It has to be shown on TV and a DVD of that airing submitted. Obviously, because the show is live, if it hasn’t aired, it also can’t be recorded to DVD and submitted.
All that said…if Derek (for example) submitted three dances, he has until May 31st to substitute, so he could replace one dance with a later one if he liked it better – IF the DVD submission deadline is after the end of the season. We’re not sure.
The great news is that the previous yes/no vote for a nomination is now a numerical score – I think this increases the possibility of a nomination.
An individual achievement is typically only eligible for one nomination. That said, pros could be nominated alone AND as part of a team nomination – this is what happened a couple years ago when Derek was nominated solo and then with Allison Holker. BUT, if he has 10 great dances that he choreographed solo, he can only have ONE nomination and he has to narrow down his entry to three dances.
Finally, based on all of the above, DWTS Season 19 and most (or all) of Season 20 are eligible and last summers SYTYCD is eligible.
I’m gonna start my speculation by stating straight up – it will be very difficult for someone from DWTS to get a nomination this year, including Derek. There just wasn’t that much that stood out and, unfortunately, the dances have to be WAY better than anything seen on SYTYCD in order to get a nomination. Why? Well, Courtney and I have discussed this many times and the fact is that most dancers (and, hence, people voting on nominations) are going to be contemporary or perhaps Jazz/Broadway dancers. Most can’t do Ballroom and don’t care about ballroom. I’ve heard that they think Ballroom has no depth of feeling and is too technical (B.S. – of course they say that because they can’t DO it well). So technical that it can be passion-less. Again, utter B.S. But that is the sad fact of it. And of course, most of the time, the pros on DWTS are dancing with amateurs, while the choreographers on SYTYCD are choreographing for professional dancers. Like it or not, execution does matter. Just look at some of the dances that were nominated the last two seasons. Read more..
Hope everyone has been enjoying their summer Thought I’d share this little ditty that fell into my lap entirely by accident yesterday, as I was making my morning cup o’ coffee in my office break room while half-listening to the janky tv in there that constantly cuts out and only seems to get random channels…
…Cheryl appeared on The Boris & Nicole Show yesterday, which premiered on Monday and is having a 4-week trial run on FOX. She chatted about her activewear line, her stint on I Can Do That, her backing out of judging Miss USA, and memories from DWTS. Full episode is below, and Cheryl’s segment starts around the 22:00 mark. What I found most interesting, though, was the revelation she dropped about her season 18 partner – turns out Drew Carey was a replacement for someone else:
“Let me tell you guys about Boris over here. He was supposed to be my partner, then he backed out – or chickened out – then, guess who my partner was. And I love him – DREW CAREY! Drew Carey is great, but I think [Boris] and I might have lasted a little longer!”
So yeah, Cheryl’s original season 18 partner was supposed to be Soul Food actor Boris Kodjoe, and Drew only entered the equation after Boris backed out. I loved Drew & Cheryl together, but I can’t help but be curious about how a Boris & Cheryl partnership might have turned out. Or who knows – maybe Boris might still be available for a future season! The little bit of hip action he showed in the segment that followed was decent enough. What do you guys think?
In light of the recent statements made by Donald Trump and the subsequent decision by NBC to cut ties with Mr. Trump, I cannot in good conscience move forward with participating in this year’s Miss USA Pageant as its co-host. Effective today I have withdrawn from my duties with Miss USA. Although I will not be there in person, I wish all of the contestants much luck as I know how hard they’ve all been working over the last year to try and realize their dreams.
Burke’s departure comes on the same day that NBC would air an “American Ninja Warrior” special on the night it was originally scheduled to air Miss USA. The three-hour July 12 special will be the show’s second annual “USA vs. the World” extravaganza, in which top competitors from the hot Monday series “American Ninja Warrior” go head to head with competitors from Japan and Europe. Last year’s “USA vs. the World” special in mid-September delivered a potent 1.9 rating in adults 18-49 despite facing tough reality show competition, including the season premiere of ABC’s “Dancing With the Stars.”
Derek Hough’s twist on a recent Season 20 Dancing With the Stars episode was the “Ouch!” heard ’round the country.
On April 20, while rehearsing for the 10th anniversary special edition of the ballroom dance competition show — Hough is its most winning pro — the 30-year-old Utah native broke a toe on his right foot after an errant kick. He then sprained the inside and the outside of his left ankle, and ended up with a bone bruise (the latter after tumbling down stairs while attending to his toe).
Bad break and bad timing. You could practically hear the accountants gasp.
Hough was in his customary race toward the finals with gymnast “star” partner Nastia Liukin (the couple finished in fourth place) and simultaneously starring in a New York Spring Spectacular dance show at Radio City Music Hall. He was also readying rehearsals for the second annual MOVE Live Tour with sister Julianne Hough (a judge on DWTS and actress).
MOVE — with both stars intact, he swears — cha-chas onto the Hard Rock Live stage Friday. “I learned the show in three days this year,” he says.
Hough is involved in every aspect of MOVE — choreographing the routines, dancing, singing and engaging in banter with his younger sis.
“I’m feeling much better, I’m getting strong,” Hough says on the phone during a break in rehearsals in Los Angeles as carpenters slam together painted sets, costumers run around and giant fans blow air around the Houghs.
For Hough, work is always a race against the clock. He wasn’t even supposed to be on the DWTS anniversary season due to the Radio City gig, but “I get passionate about challenges,” he says.
“It was outrageous traveling back and forth, rehearsing and doing two to three shows a day. Instead of scaring me it got me excited — let’s see if I can do this. But I’m a team player and very loyal person, and if I could make it work and be a part of that 10th anniversary, which was a milestone, I thought it important to be part of that.”