How to Fix DWTS – An Open Letter to Producers (Part 4)

This post is the 4th and final part of a series where I basically tell the producers of DWTS how they should change the show – it’s for their own good. 🙂  This part is more to the audience, but also for the producers.  If you want to read parts 1, 2, and 3 you can find them here:

How to Fix DWTS Part 1

How to Fix DWTS Part 2

How to Fix DWTS Part 3

A reminder for those easily induced into righteous indignation – this is NOT about the various couples but about the JUDGES and the Producers – I’ve provided examples of problems that I remember from season to season. If you get your knickers in a twist about Melissa or Shawn or Mya or Nicole or Maria, I’m not going to waste time arguing with you, I’m going to call you names (maybe to myself, maybe publicly – we’ll see) and then ignore you. Keep it on topic.


I’ve never been one to believe in a high degree of manipulation of the show via the packages. I mean, let’s face it – no one MADE Maks be an ass with half his partners. And I’ve had people who work on the show tell me that what you see is usually what you get. Not to mention that after many seasons on the show, these pros know if you give the producers exciting footage, they are going to USE it. So, don’t be stupid. Take up the song “The Camera’s really on me now” by Derek Hough and Nicole Scherzinger. And suck it up. I get that the job of the producers is to get ratings. You get ratings by getting people talking. Be it a showmance or a knock down drag out fight. If you’re not smart enough to realize that camera really is recording everything you do, then it’s on YOU.  Maks and Hope really WERE awful, Karina and Apolo (sadly) really were stressed out and boring, and Drew and Anna were indeed too intense and serious. Read more..